We are an artist-run label formed in 2013. All the work, good or bad, is done by the people in the bands.

Welcome to the New Controlled Burn Web site

We have just revamped everything at this site and are slowly coming back on-line. The store will be up soon, as will some big announcements.

Unfortunately, we have had to completely scrap our old Web site. If you have purchased from here in the past, your old account along with your order history is gone. Sorry about the inconvenience, but the new shopping system is going to be a lot better as soon as we get it completely set up!

Nonagon – They Birds

Nonagon’s first full-length LP, They Birds, released on March 3rd, 2021!

  • Featuring eleven songs!
  • 12″ vinyl record is pressed on ultra-high quality 180g vinyl!
  • Purchase includes FREE digital versions of all the tracks on the record (Bandcamp download card included)
  • Vinyl LP also includes a twelve-page booklet entitled They Birds: A Comprehensive Field Guide to the Magestic Creatures of the Sky

The Austerity Program – Bible Songs 1

They’ve been together over two decades and this is more panic-inducing than anything they’ve done yet.  Yes, the songs are based on Bible verses, so feel free to play it at your scripture reading circle and write to us about how that turns out.

All of the wrath of god and none of the salvation.

Recorded nearly live at Kerguelen in Astoria, NYC.  Full frequency analog recording for those who like their pit-scraping noise rock to sound pristine.

In Europe? Save money and [ order from Throatruiner ].

Next Austerity Program LP Is Recorded

The Austerity Program finished recording their next record back in December.  Here’s the master tapes, ready to go to Ventura, CA.

Six songs long, clocks in at about 25 minutes. I know that’s not very long for a band that hasn’t put a record out in five years but it’s pretty intense so you’ll get your fill.  

Currently working on pressing details, cover art, setting up shows. Expect this thing to come out in June.

J Foley – Drone Loops EP 1

Four-song EP.  Each track is constructed from a loud, distorted guitar that’s been recorded to a track on a 1″ 8-track loop.  These loops have tracks switched on/off, faded in/out, and that builds a song.

Justin made a video about it.

Basic club 12″ packaging ensures that we can make this thing cheap (ish) and pass the savings on to you.  Download instructions included.

Vinyl only.  Sorry if you prefer CDs for physical format.

(Not sorry if you like cassettes, as that format is dumb.)

Nonagon / Knife the Symphony Split 7″

Controlled Burn Records (Chicago, IL) and Phratry Records (Cincinnati, OH) team up for a Nonagon / Knife The Symphony split single. Limited to 300 copies. This record will never be re-pressed. When they’re gone, they’re gone!

The 7” comes with a download card that includes a bonus track from each band. Digital version available with physical copy only.

Nonagon’s “Tuck the Long Tail Under” was recorded by Matt Engstrom and Soren Pederson at Burn the Furniture in Chicago. Mixed by Matt Engstrom. Mastered by Bob Weston at Chicago Mastering Service. All of this was done while it was cold outside. 

Knife The Symphony’s “Devils II” was recorded, mixed and mastered by Mike Montgomery at Candyland Recording Studio in Cincinnati, OH. All of the music was recorded live, in one pass. Vocals were recorded separately. Recorded to tape by pressing buttons, pushing faders and turning knobs. 

Learning Things

Our first post included the vague idea that we’d post about stuff as we learned it – as far as running a record label goes.  

We’ve been bad about keeping that promise but there’s something that we did learn; it contains something like advice for someone thinking about starting a record label.

If you set up an actual company to do the label’s business then you’re going to have to pay taxes on the label’s income, as well as sales tax for sales in the state you’re based.  

Here’s the problem – there’s a bunch of helpful reasons to set up a company rather than just running the label as your personal income.  But hiring an accountant to do the taxes is going to run you a few hundred dollars at a minimum.  And given that we’re releasing 1-2 things a year, that means we’d basically be sending all of the label’s net income to an accountant.

Which is stupid.

So we had to figure out how to do the taxes, which meant figuring out the accounting on our own.  This was not easy. I am going to type that again for emphasis.  This was not easy.  

If anyone out there is reading this and faces the same problem (“I cannot afford to pay someone to figure out our accounting for me”) you may find this helpful: the key task was to figure out where the money was coming from and where it was supposed to go.

At the end of this long effort we have developed a database.  It can tell us at any given date how much money we have, where it came from, how much we owe and who we owe it to.  Corporate types call this a balance sheet.

You do not need a database; you can do this in Excel with some loss in gracefulness but a much smaller headache in setup.

I’d be thrilled to share deeper details if this, so contact me if you want to know more.  I would especially appreciate it if you have a time machine I can borrow so that I can go back into 2013 and tell myself what I learned to save a huge headache in figuring this stuff out.

= Justin

Polonium – Seraphim

Seraphim is a ten song CD from Polonium.

Before they became the Austerity Program, Thad and Justin decided to start a not-serious metal band for some reason.  Within a month they were serious.

A few months after that they were obsessed with double bass drum attack and screwed-up time signatures.  They recorded two batches of songs.  The first one was hit or miss.  The second was solid.

Here’s that second batch. Ten songs ranging from early-Melvins minimalism to the rolling bombast of Bolt Thrower.  We didn’t screw up the vocals, though; the lyrics are howled with the usual tortured seethe and the content is all about people in desperate straits.  If you like the pounding drum machine of the Austerity Program but aren’t with all that intellectualism, this record is for you.

Although the music was all written from 1993-96, Justin took the time to re-record all of it between 2013-2015. So you get a full drink of what we were thinking 20 years ago presented through all of the fancy microphones and tape machines we’ve gotten in the meantime.

Mastered by Carl Saff in Chicago.